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The Kora Epic

A pandemic tale for the new year – In March 2020, when it became clear we were hunkering down for the long haul due to the pandemic, I decided to order a kora. I was thinking that it would be an engaging creative way to spend my time, seeing as I was out of work. A kora is a West African 21 string harp built out of a large calabash gourd with a long neck made of wood. I’ve wanted to learn it from the moment I first heard one in 1990 when a friend came back from Senegal with street vendor cassette tapes he’d scored. I thought then and still think now that it’s the most enchanting instrument I’ve ever heard and have long thought it would be a retirement goal to learn how to play one. Well, why not now with all this time?

One of my favorite kora players is Sona Jobarteh from The Gambia ~ If you haven’t heard of her she is most decidedly worth checking out. She is the first woman to be widely recognized as a master in the griot tradition of the regions where kora music comes from. I discovered that the luthier that she has worked with for years in developing an evolved kora has them available for sale through her website. They’ve taken the best elements of the instrument from it’s traditional form, and added contemporary hardware and structural reinforcement to traditional materials and have created a concert quality instrument. I reached out and learned that each instrument was custom made upon ordering, and set the process in motion. After all my research and decision making, by now it was late March.

The first question I got asked was how I would like the top of the neck and the handles to be carved. The image that immediately leapt to mind was a spiral and without hesitation I wrote right back. Within a day I was sent a photo asking if the design was alright. I was blown away and said yes. Soon after I started getting photos of the neck as it developed, and then a picture of the calabash gourd that would make up the body of the instrument. Needless to say I was thoroughly stunned at what I was seeing, and that they were sending me step by step pictures of the instrument being created from scratch.

After a couple weeks of back and forth with design choices I got a message that the kora was finished (!!!) and that now the luthier would tune it up and stress test it for 2 weeks to ensure everything settled into place before being shipped. Oh man was I blown away seeing these pics and knowing this glorious creation was soon to enter my life. I also fell in love looking at the place this was made, seeing the palm trees in the yard, and truly hope I can visit there someday.

I finally got a message on May 14 2020 (will never forget the date) letting me know that my kora was finished & passed through all of the stress tests before shipping. There was only one problem – now the national mail service in The Gambia was closed due to the pandemic. Dang. So now I began my wait. Long story short – this turned into a masterclass in patience. International shipping resumed mid October after a couple of agonizing false starts, and we walked in the door Halloween night (!!!) to find this lovely surprise after waiting over 7 months from when I ordered.

I ended up in a lovely correspondence friendship with the agent for The African Guild due to this extended process, as we exchanged emails weekly that became increasingly personal ~ I look forward to meeting him someday. And now I’ve embarked on the most enchanting musical relationship I’ve ever known.

This has been a profound process throughout, especially knowing that the instrument that I now play daily was made specifically for me. Sometimes I walk into my office studio and just look at it, marveling at it’s journey across the ocean and into my home. The kora truly is a magnificent creation, a work of art that implies a cultural sophistication and aesthetic depth far beyond what is typically attributed to the region where it comes from. There is such a wealth of musical heritage and creativity born through the kora, and I am honored to hold one in my hands. It teaches me daily, and I’ve never known an instrument to lead me on as readily as this one.

And our adventure together has only just begun…

First couple of days discovering… November 2020

Tuesday’s Tales v1e3

Tuesday’s Tales!

My occasional collection of climate crises inspired ways forward using the arts and creativity to nurture community, awareness, and action.


Something that has inspired me recently:

I marched with an estimated couple thousand mostly school and college-aged humans this past Friday as part of the coordinated global climate strike.  It was amazing to see so many empowered humans standing up for our collective future and taking to the streets. The march was a tour of center city Philadelphia and though I have mixed feelings about inconveniencing the working public (a topic for another time) it did feel profound to symbolically disrupt the daily flow in the city as the climate crises threatens to do to all of us. I plan on participating in as many strikes and Fridays for Future as possible from here on, and one of the projects I’m working on is geared specifically for making a large presence at strikes. Stay tuned for that! (hint: it involves a tightwire…)


What I’ve been reading:

“We Were Made for These Times” by Clarissa Pinkola Estes

“My friends, do not lose heart. We were made for these times. I have heard from so many recently who are deeply and properly bewildered. They are concerned about the state of affairs in our world now. Ours is a time of almost daily astonishment and often righteous rage over the latest degradations of what matters most to civilized, visionary people.”

This may be the single most empowering work I’ve encountered about standing up in times of crises and speaking our hearts.  When I encountered it this week I immediately assumed it was written recently and in direct context of the climate crises. But after some further research, I discovered that this was written over 15 years ago and originally entitled “Letter To A Young Activist During Troubled Times”. I am floored. This is profound. It is empowering. And it is stunningly beautiful. I have re-read it numerous times over the last couple of days and it grows more poignant and wondrous with each reading.  It is my sincere desire to see this read by everyone standing up for climate the world around ~ the following link takes you to the piece in its entirety. 

http://www.grahameb.com/pinkola_estes.htm?fbclid=IwAR3sXXgA5UqteJk_C70SUKVEt1JxiEESYsRF25KZybNMmr7iOyPw-8-OPa4


What I’m thinking about / working on:

I have been ill this past week, change of the seasons and whatnot, and have watched our one-year-old daughter be sick as well.  When you don’t have the tools yet to clear your own nose and you can’t breathe it’s got to be kind of freaky, but she’s been a real trooper.  But taking care of her and self and household hasn’t left much time for larger projects. I’ve been plugging away at staying abreast of global developments and striving for balance throughout ~ this was the great work of the week, staying balanced with compromised health and an increasing flood of climate-related data.  The passage has reminded me of how vital it is to ensure self-care in an increasingly stressed world. Take good care of yourself! We need healthy souls in order to not lose heart.


Quote of the Week:

I’m staying with Clarissa Pinkola Estes:

“What is needed for dramatic change is an accumulation of acts, adding, adding to, adding more, continuing. We know that it does not take everyone on Earth to bring justice and peace, but only a small, determined group who will not give up during the first, second, or hundredth gale.”

I love how she’s talking about the 3.5%, but intuitively. The deep wisdom of her soul shines brightly and gives her this clarity to share with us, and I am grateful for her words. I’ve been saying a lot recently that every drop in the bucket counts, and eventually adds up to an overflowing vessel. That’s us right now, and even though there are signs of frustration (Greta saying “We have achieved nothing” at COP25 https://www.climatechangenews.com/2019/12/07/cop25-bulletin-achieved-nothing/ ) we do need to remind ourselves that it is always darkest before the dawn.


Share this with your friends and anyone you think would be inspired by it! You can also get this delivered directly to your inbox if you sign up for the newsletter.  I am always open to feedback, suggestions, collaborative propositions, and simple Yo Eric how you doin type reaching out and connecting.  

Because Life is too precious and precarious to not make the most of every single day.

I hope you have an empowered and creative week ~ Onwards Team Human! 

Stand up and shine your light!

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